"HELLO, GOODBYE & EVERYTHING IN BETWEEN is the Everly Brothers, Bruce Springsteen and John Mellencamp from a blender, poured into melodic Americana via street-level tales of everyman and his or her tales of love and longing, work, and watching life play itself out. A great slice of Americana! "
- John Collinge, Progression Magazine (Aug 14, 2007)
Tony Mecca: Press/Reviews
"Beautiful east coast Romanticism! "HELLO, GOODBYE …" recounts tales of life and love in the blue-collar South Philly, Irish/Italian neighborhood where Mecca has spent his life. “Americana rootsy” w/ lyrics reminiscent of Springsteen or Cohen but with a gritty Philly twist. A wonderful effort - Highly recommended"
- James MacMillan, Amazon.com (Oct 12, 2007)
I'm going to stop at “Plain Jane and Average Joe” because I'll write forever. “Just two unknown faces in the book of so and so” – Like just another dreamer dreaming about everyman. I thought Tony’s new CD was four stars and I thought his live concert was even better. I have paid good money for bigger names and received far less. As I exclaimed that night – BRAVO!
Jay Schweitzer - Pine Island, New York (Jun 2, 2007)
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Press & Booking Information:
View Electronic Press Kit (EPK) for Press and Booking Information
Download Artist Profile for Press and Booking Information
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GarageBand.com Song Reviews:
The Girl from the Sand
Logic
Suzie Lone Star Hero
Boy Meets Girl
Dennis and I
We Always Lie
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Articles & Blogs:
"A Night at Cookies"
Eric Cholminski reviews Tony Mecca's 3/22/08 live performance at Cookies Bar in South Philadelphia.
"The Neighborhood As Muse" - Download
This opinion and analysis of Tony Mecca's work was submitted to our site by esteemed Philadelphia writer and filmmaker Joseph Van Blunk.
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Magazine & Newspaper Reviews:
PROGRESSION MAGAZINE #51 - SUMMER 2007
TONY MECCA:
HELLO, GOODBYE & EVERYTHING IN BETWEEN
Released: March 2007 - Style: Pop/Rock
Format (CD) - Time (70:05)
Composition, Performance, Musicianship, Sound:
“12” of “16” stars"
Sometimes it helps one's musical perspective to step out of your comfort zone and explore other "worlds". But if I hadn't already known Tony Mecca was a proghead, I never would have guessed by the music he makes.
HELLO, GOODBYE & EVERYTHING IN BETWEEN is the Everly Brothers, Bruce Springsteen and John Mellencamp from a blender, poured into melodic Americana via street-level tales of everyboy and everygirl. Genuine innocence - whatever became of it? Mecca and friends turn back the clock keeping it sweet and simple via tunes like "An American Kid," "Annie Walks Through Town," "The Night We Danced" - pretty much any of the 22 tracks offered here. (Take your pick.)
Nothing remotely, at all, suggesting even a hint at progressive rock. No, that's light years in the future, if at all, for grandkids of the protagonists populating Mecca's sweet tales of love and longing, work, partying and watching life play itself out.
But wait - wasn't that a Moog (synthesizer) line dancing around "Yeah, Yeah, Yeah"? Tony, you scoundrel!
John Collinge - Progression Magazine (Jun 20, 2007)
TONY MECCA - LIVE AT VAN BLUNK'S - 5/19/2007
I've been to South Philly many times, and I've been to Van Blunk’s. Knowing the small space available makes a music lover a little uncomfortable. However, I was very excited about being invited to the concert being somewhat of an outsider. Having listened to the new CD, “Hello, Goodbye & Everything In Between" many times, I knew I would be hearing good songs, but not knowing in what form. To be honest, I was a little worried about the room acoustics. Could Tony sound good in this venue? I had a taste of Tony Mecca live last summer in Cape May. I knew he was very serious about his music and his song writing. In Cape May he stepped on stage in a different town and preformed admirably. Tony was a hit both musically and personally.
The evening was very informal with nice conversation, good food and an interesting and eclectic group of folks. I relaxed and got into the crowd flow. Tony was being social but it was obvious he had other things on his mind. At some point it seemed the time was right. My anticipation was about to be conceived. Tony Mecca and his players were taking the stage and the evening was about to climax. He began by sharing some very personable thoughts about his songs and the people in his life. Tony made the audience feel very comfortable and easy.
The show opened with the logical choice – “Hello”. From the opening electronic sounds, I knew my fear of bouncing, echo, hardness or any other negative about the sound quality was not to be.
The balance was akin to listing to a stereo in your living room. Simply wonderful! What a beautiful mix of electronic sounds that at times reminded me of Garnet Rogers - one of my favorite singer/musician/song writers. Tony vocals blended beautifully with his guitar while Stephanie Davis melded her background vocals - never overindulging her sweet sound into the mix. Guitarist Joe Pettit added his tasteful yet moving licks gracefully and soulfully into the ensemble to create a signature that any producer would have been proud to call “his” sound.
Every song was my favorite. Friends who know me well kid with me because everything I eat is my favorite. Not so with music - I'm very particular about what becomes my favorite - especially when it comes to the artist. If I like an artist I want to hear it all. I want to indulge and be etched by the lyric, I want to be touched. I respond to things in Tony's songs; “Quiet seashore night sleeps by your side - dreams that crash so hard into the tide.” (From “Hello”) Now that’s emotion. Blend that with the complementing soundscape, a moving voice, an artist who shows his passion for the music on his sleeve, and you are rocking the boat. Hey, this is good stuff! “She was electric, strangely eclectic … She never gave her love to me” (From "Love to Me”). Like a good painting, it makes me want to meet “Robin”.
I'm going to stop at “Plain Jane and Average Joe” because I'll write forever. This song evokes the feeling of everyman. “Just two unknown faces in the book of so and so” – Like just another dreamer dreaming about everyman. I thought Tony’s new CD was four stars and I thought his live concert was even better. I like to see the physical as well as the emotion and the expertise. This evening was truly a five star event. I have paid good money for bigger names and received far less. Add up each paragraph and you have a tremendous success. Quality at its finest!
As I exclaimed that night - BRAVO.
Jay Schweitzer - Pine Island, New York (Jun 2, 2007)
PROGRESSION MAGAZINE #50 - FALL 2007
TONY MECCA:
PURPLE MONKEYS
Released: October 2003 - Style: Pop/Rock
Format (CD) - Time (42:56)
Composition, Performance, Musicianship, Sound:
“11” of “16” stars
TONY MECCA:
PRINCES OF THE NEW DARK AGE
Released: March 2005 - Style: Pop/Rock
Format (CD) - Time (46:13)
Composition, Performance, Musicianship, Sound:
“11” of “16” stars
Philadelphia balladeer Tony Mecca might best be described as an "undiscovered talent" who, in the hands of the right production team, could generate ripples on the Pop/AOR front. His music is not "progressive rock" per se, though it does feature the occasional symphonic flourish and sprightly synth solo. Rather, this is rootsy pop a la Bruce Springsteen/Billy Joel/Tom Petty, etc., that is melodically accomplished, catchy and fun to listen to. In fact, the material on these two self-produced discs is strong enough to question why some label hasn't snagged the guy and given him a shot at wider audiences.
Mecca has a slightly rough voice that fits the lyrics well - ruminations on friends, loves, growing pains and life's ironies. He also plays guitar and bass, assisted by David Decca on keyboards. Pick most any track from these two albums and you'll find a ditty worth sinking your teeth into. A gem like "Say Goodbye to Judas," (from Princes... ) for instance, might leave you wondering what radio station you heard it on first.
John Collinge - Progression Magazine (Dec 9, 2006)

TONY MECCA:
I've been to South Philly many times, and I've been to Van Blunk’s. Knowing the small space available makes a music lover a little uncomfortable. However, I was very excited about being invited to the concert being somewhat of an outsider. Having listened to the new CD, “Hello, Goodbye & Everything In Between" many times, I knew I would be hearing good songs, but not knowing in what form. To be honest, I was a little worried about the room acoustics. Could Tony sound good in this venue? I had a taste of Tony Mecca live last summer in Cape May. I knew he was very serious about his music and his song writing. In Cape May he stepped on stage in a different town and preformed admirably. Tony was a hit both musically and personally.
The show opened with the logical choice – “Hello”. From the opening electronic sounds, I knew my fear of bouncing, echo, hardness or any other negative about the sound quality was not to be.
TONY MECCA: